OsterKlang ´14

© Armin Bardel

From 13 April until 20 April 2014

Platee

Platée

Ballet-bouffon in one prologue and three acts (1745)

Music by Jean-Philippe Rameau
Libretto by Jacques Autreau

cast

actor role
Conductor Paul Agnew
Director Robert Carsen
Set and costume designer Gideon Davey
Choreography Nicolas Paul
Light design Robert Carsen, Peter van Praet
Dramaturgy Ian Burton
Satyre Joao Fernandes
Thespis Cyril Auvity
Thalie Gan-ya Ben-gur Akselrod
Momus (Prolog) Marc Mauillon
Amour Emmanuelle de Negri
Cithéron Marc Mauillon
Mercure Cyril Auvity
Platée Marcel Beekman
Clarine Emmanuelle de Negri
Jupiter Edwin Crossley-Mercer
Mommuss Joao Fernandes
La Folie Simone Kermes
Junon Emilie Renard
Dancers Camille Brulais, Haruka Miyamoto, Suzanne Meyer, Anaëlle Echalier, Fanny Gombert, Anna Konopska, Alexandre Bado, Gael Alamargot, Jean Gérald Dupau and Julien Gaillac
Orchestra Les Arts Florissants
Chorus Arnold Schoenberg Choir
Mon Tue Wed Thu Fri Sat Sun
February 2014
17 19 21
24 26 28

Tickets

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Robert Carsen

Director

Carsen, RobertThe Canadian directed internationally inter alii Mozart’s Mitridate, rè di Ponto (Brüssel, Wien), Le nozze di Figaro (Bordeaux), Wagner’s Tannhäuser and Ring (Köln, Venedig), Lully’s Armide (Paris), Gluck’s Iphigénie en Tauride (San Francisco, London), Orfeo ed Euridice (Chicago), Verdi’s Il trovatore (Bregenzer Festspiele), La traviata (Venedig), Strauss’ Der Rosenkavalier (Salzburger Festspiele), Ariadne auf Naxos (München), Salome (Turin), Elektra (Tokio, Florenz), Tschaikowski’s Eugen Onegin (MET), Donizetti’s Lucia di Lammermoor (Zurich, Munich), Bizet’s Carmen at Kopenhagen, Puccini’s Tosca and Handel’s Semele at Zurich. He got awarded amongst others with Premio Abbiati, Prix de la Critique and is Chevalier des Arts et des Lettres. Future plans include for example Strauss’ Ariadne auf Naxos, Janacek’s Katja Kabanova at Teatro alla Scala as well as Verdi’s La Traviata and Wagner’s Götterdämmerung at Gran Teatro la Fenice. At Theater an der Wien he directed several times, for example Poulenc’s Dialogues des Carmélites, a production which could also be seen at Milan, Madrid and Amsterdam or at last Monteverdi’s L’incoronazione di Poppea, on which he will work again at Glyndebourne.