Dialogues des Carmélites - Kopfsujet

Dialogues des Carmélites

As part of OSTERKLANG 2011
Opera in three acts and twelve scenes (1957)
Music & Libretto by Francis Poulenc


actor role
Conductor Bertrand de Billy
Director Robert Carsen
Set design Michael Levine
Costume design Falk Bauer
Choreographer Philippe Giraudeau
Light design Jean Kalman
Co-Director Didier Kersten
Marquis de La Force Jochen Schmeckenbecher
Le Chevalier de la Force Yann Beuron
Blanche Patricia Petibon
Madame de Croissy Deborah Polaski
Madame Lidoine Heidi Brunner
Mère Marie Michelle Breedt
Sœur Constance Hendrickje van Kerckhove
Mère Jeanne Magdalena Anna Hofmann
Sœur Mathilde Christa Ratzenböck
L’Aumônier Jürgen Sacher
1er Commissaire Eric Årman
2éme Comissaire Craig Smith
Geôlier | Officier Dominik Köninger
Thierry Andreas Wolf
Chorus Arnold Schoenberg Chor
Orchestra ORF Radio-Symphonieorchester Wien
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April 2011
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Michael Levine

Set design

Michael Levine studied at Central School of Art and Design at London and works international as set- and costume designer for theatre, opera, dance and film. He directed and designed Wagner’s Das Rheingold for Canadian Opera. Actual works create amongst others Bizet’s Carmen for De Nederlandse Opera with Robert Carsen, which whom he works very often, Wagner’s Der fliegende Holländer for Royal Opera House Covent Garden and The Showgirl must go on at Las Vegas. He created inter alii Dvořák’s Rusalka at Paris, Tschaikowski’s Eugen Onegin at the MET, Verdi’s Jérusalem at Wiener Staatsoper, Bellini’s I Capuleti e i Montecchi at Genua and Paris as well as Wagner’s Ring in Canada. Future plans include for example Raskatov’s A Dog’s Heart at Amsterdam, Wagner’s Tannhäuser at London and Mozart’s Die Zauberflöte at Budapest. His last works at Theater an der Wien were Monteverdi’s L’Incoronazione di Poppea and Handels Semele in 2010.