Under the stage direction of Corinna von Rad and with musical direction by Benjamin Bayl, a music theatre evening is taking shape that examines the well‑known myth from a contemporary perspective. The production draws on texts by, among others, Euripides and Franz Grillparzer, as well as music by Georg Friedrich Händel, Marc‑Antoine Charpentier and other Baroque composers.

Medea is one of the most harshly judged female figures of antiquity, yet her story is far more complex than the image of the child‑murderess suggests. It is a story of love, betrayal, the loss of home and identity, and of how strongly the perspective of those who tell a story shapes the perception of a character. While Baroque operas often portrayed Medea as a raging fury, Grillparzer introduced a more nuanced view in the 19th century. Since the mid‑20th century, scholars and artists have increasingly questioned why her story was transmitted almost exclusively through a male lens for so long.

This production explores what a Medea narrative might look like in 2026, combining historical interpretations with contemporary questions. We are particularly pleased that the project is once again being created in cooperation with the University of Music and Performing Arts Vienna, with Felix Pacher appearing in the role of Kreon as part of the CAMPUS programme.

The premiere of Medea will take place on 17 March 2026. Further information about the production can be found here.