Opportunity makes a thief: During a storm, Count Alberto loses his suitcase. It is found by Don Parmenione who, discovering a portrait of Alberto’s fiancée Berenice inside, sees an opportunity. He slips into the count’s clothes and sets off to visit Berenice who, at this point, has not yet seen her fiancé. What Parmenione doesn’t know is that Berenice has decided to watch her intended from a safe distance at first, and to this end she and her friend Ernestina have changed places. While Parmenione is wooing the woman he thinks is Berenice, the real Alberto arrives. Initially shocked to find he suddenly has a rival, he is soon charmed by the woman pretending to be his fiancée’s friend. And so the deception ends up leading to true love after all. Gioachino Rossini composed the one-act opera L’occasione fa il ladro (Opportunity Makes a Thief) in 1812, and it already contains everything that characterises his later works: barnstorming ensembles, moving and virtuoso arias, comical instrumental effects and the composer’s first storm music. But behind the turbulent plot of L’occasione fa il ladro lie questions of identity theft, social role-playing and the universally human quest to find oneself. Marcos Darbyshire, who already demonstrated a flair for comic opera with Don Pasquale at the Kammeroper in 2017, will direct this comedy of fourfold mistaken identities.

In Italian with German and English surtitles
Introduction to the work 30 minutes before curtain-up

Attention!
Stroboscopic effects (flashes of light) will be used during the performance. Under certain circumstances, certain flash frequencies can trigger seizures in epileptics and people at risk of epilepsy.