Orlando © beyond | Herwig Zens

Dramma per musica in three acts (1733)

Music by Georg Friedrich Händel

Libretto based on Dramma pastorale Orlando ovvero La gelosa pazzia by Sigismondo Capeces

In Italian with German surtitles

Production of Theater an der Wien

Premiere: Sunday, 14 April 2019, 7 pm

Performances: 16 / 18 / 24 / 26 / 28 April 2019, 7 pm

Synopsis

A knight can sometimes succumb to the madness of love without the need for magic, though spells are then often the only antidote. One of Charlemagne’s best knights, the legendary hero Orlando, suffers a particularly bad attack. He is withdrawn from the battle against the Moors in Spain when he falls in love with Angelica, the beautiful Queen of Cathay. Acts of heroism on the battlefield now mean nothing to him; his only aim is to win this lady. Orlando’s tutor, the magician Zoroastro, has no time for love and warns his charge not to stray from the path of glory — but without success. Orlando does not listen to him and is of the opinion that a war hero can equally well be a hero in love, especially when the object of his ardour is so beautiful, and a queen. Unfortunately, Angelica does not share his feelings; instead, she thinks up numerous tricks to avoid his ardent attentions. As a general rule, she does not find heroes especially attractive, and has fallen in love with the largely unimportant but handsome and tender Medoro, who also loves her. The two of them are happy together and carve hearts with their names into the bark of trees. But that, in turn, saddens the shepherdess Dorinda who is consumed by a powerful longing for Medoro. Gradually a catastrophe develops as it slowly begins to dawn on Orlando that Angelica has no interest in him whatsoever. Zoroastro manages to calm his jealous rage several times, but when Orlando notices the tokens on the trees of the love shared by Angelica and Medoro his distress and jealousy drive him out of his mind and he becomes a threat. In the end he rampages against everything and everybody. He destroys Dorinda’s house, with Medoro still inside it, and in his madness tosses Angelica into an abyss. Zoroastro has to intervene and use a magic potion to release Orlando from his insane passion. The hero, now cured, is aghast at his behaviour and despairingly laments the deaths of Medoro and Angelica. But here too Zoroastro has come to the rescue: the apparently dead couple returns to life, Orlando renounces his love of Angelica and returns to the path of military valour.

Cast

Conductor

Giovanni Antonini

Biography
Director

Claus Guth

Biography
Set & costume design

Christian Schmidt

Biography
Light design

Bernd Purkrabek

Biography
Dramaturgy

Ronny Dietrich

Biography
Orlando

Christophe Dumaux

Biography
Zoroastro

Florian Boesch

Biography
Angelica

Anna Prohaska

Biography
Dorinda

Giulia Semenzato

Biography
Medoro

Raffaele Pe

Biography
Orchestra

Il Giardino Armonico

Biography

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